14 files changed, 148 insertions, 119 deletions
diff --git a/oiv/osnutek/dokument.aux b/oiv/osnutek/dokument.aux
index 19fea27..c8952c2 100644
--- a/oiv/osnutek/dokument.aux
+++ b/oiv/osnutek/dokument.aux
@@ -23,24 +23,26 @@
 \@writefile{toc}{\contentsline {section}{\numberline {1}Uvod}{3}{section.1}\protected@file@percent }
 \citation{celostna}
 \citation{umetniska}
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-\citation{delo}
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 \@writefile{toc}{\contentsline {subsection}{\numberline {2.1}Pojem \textit  {celostna umetnina}}{4}{subsection.2.1}\protected@file@percent }
 \@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.1}V slikarstvu}{4}{subsubsection.2.1.1}\protected@file@percent }
 \@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{4}{subsubsection.2.1.2}\protected@file@percent }
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-\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{4}{subsubsection.2.1.4}\protected@file@percent }
-\@writefile{toc}{\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{4}{subsection.2.2}\protected@file@percent }
+\citation{celostna}
+\citation{delo}
 \citation{wikiglanz}
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.3}Barok}{5}{subsubsection.2.1.3}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{5}{subsubsection.2.1.4}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{5}{subsection.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{5}{subsubsection.2.2.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Življenje}{5}{subsubsection.2.2.1}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Dela}{5}{subsubsection.2.2.1}\protected@file@percent }
 \citation{delo}
 \citation{wikistavbadz}
-\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{5}{subsubsection.2.2.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Življenje}{5}{section*.4}\protected@file@percent }
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-\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{5}{subsubsection.2.2.2}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Notranjost}{5}{section*.6}\protected@file@percent }
-\@writefile{toc}{\contentsline {paragraph}{Portal}{5}{section*.7}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{6}{subsubsection.2.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Notranjost}{6}{subsubsection.2.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {paragraph}{Portal}{6}{subsubsection.2.2.2}\protected@file@percent }
+\@writefile{toc}{\contentsline {section}{\numberline {3}Praktični del}{7}{section.3}\protected@file@percent }
+\@writefile{toc}{\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{7}{subsection.3.1}\protected@file@percent }
 \bibcite{60dz}{1}
 \bibcite{delo}{2}
 \bibcite{glanz}{3}
@@ -52,7 +54,5 @@
 \bibcite{wikiglanz}{9}
 \bibcite{likovna}{10}
 \bibcite{celostna}{11}
-\@writefile{toc}{\contentsline {section}{\numberline {3}Praktični del}{6}{section.3}\protected@file@percent }
-\@writefile{toc}{\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{6}{subsection.3.1}\protected@file@percent }
-\@writefile{toc}{\contentsline {section}{\numberline {4}Viri in literatura}{6}{section.4}\protected@file@percent }
-\@writefile{toc}{\contentsline {section}{\numberline {5}Zaključek}{7}{section.5}\protected@file@percent }
+\@writefile{toc}{\contentsline {section}{\numberline {4}Viri in literatura}{8}{section.4}\protected@file@percent }
+\@writefile{toc}{\contentsline {section}{\numberline {5}Zaključek}{10}{section.5}\protected@file@percent }
diff --git a/oiv/osnutek/dokument.docx b/oiv/osnutek/dokument.docx
new file mode 100644
index 0000000..0929000
--- /dev/null
+++ b/oiv/osnutek/dokument.docx
diff --git a/oiv/osnutek/dokument.dvi b/oiv/osnutek/dokument.dvi
deleted file mode 100644
index 056b907..0000000
--- a/oiv/osnutek/dokument.dvi
+++ /dev/null
diff --git a/oiv/osnutek/dokument.log b/oiv/osnutek/dokument.log
index 86b289a..4969461 100644
--- a/oiv/osnutek/dokument.log
+++ b/oiv/osnutek/dokument.log
@@ -1,4 +1,4 @@
-This is pdfTeX, Version 3.14159265-2.6-1.40.20 (TeX Live 2019/Debian) (preloaded format=pdflatex 2020.9.9)  24 OCT 2020 00:47
+This is pdfTeX, Version 3.14159265-2.6-1.40.20 (TeX Live 2019/Debian) (preloaded format=pdflatex 2020.9.9)  24 OCT 2020 02:48
 entering extended mode
  \write18 enabled.
  %&-line parsing enabled.
@@ -1447,10 +1447,22 @@ to your \documentclass declaration may fix this.
 Try typing  <return>  to proceed.
 
 LaTeX Font Info:    Redeclaring math symbol \mathsterling on input line 234.
+) (/usr/share/texlive/texmf-dist/tex/latex/titlesec/titlesec.sty
+Package: titlesec 2019/10/16 v2.13 Sectioning titles
+\ttl@box=\box126
+\beforetitleunit=\skip80
+\aftertitleunit=\skip81
+\ttl@plus=\dimen344
+\ttl@minus=\dimen345
+\ttl@toksa=\toks55
+\titlewidth=\dimen346
+\titlewidthlast=\dimen347
+\titlewidthfirst=\dimen348
 ))
 Package csquotes Info: Checking for multilingual support...
 Package csquotes Info: ... none found.
- (./dokument.aux)
+
+(./dokument.aux)
 \openout1 = `dokument.aux'.
 
 LaTeX Font Info:    Checking defaults for OML/ntxmi/m/it on input line 5.
@@ -1473,6 +1485,7 @@ LaTeX Font Info:    ... okay on input line 5.
 LaTeX Font Info:    Checking defaults for U/ntxexa/m/n on input line 5.
 LaTeX Font Info:    Trying to load font information for U+ntxexa on input line 
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+
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@@ -1495,7 +1508,7 @@ e 5.
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 )
 LaTeX Font Info:    ... okay on input line 5.
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 Package hyperref Info: Link coloring OFF on input line 5.
 LaTeX Info: Redefining \ref on input line 5.
 LaTeX Info: Redefining \pageref on input line 5.
@@ -1543,28 +1556,20 @@ LaTeX Info: Redefining \nameref on input line 5.
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 [Loading MPS to PDF converter (version 2006.09.02).]
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 Package: epstopdf-base 2020-01-24 v2.11 Base part for package epstopdf
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-Package: grfext 2019/12/03 v1.3 Manage graphics extensions (HO)
-)
 Package epstopdf-base Info: Redefining graphics rule for `.eps' on input line 4
 85.
-Package grfext Info: Graphics extension search list:
-(grfext)             [.pdf,.png,.jpg,.mps,.jpeg,.jbig2,.jb2,.PDF,.PNG,.JPG,.JPE
-G,.JBIG2,.JB2,.eps]
-(grfext)             \AppendGraphicsExtensions on input line 504.
 
 (/usr/share/texlive/texmf-dist/tex/latex/latexconfig/epstopdf-sys.cfg
 File: epstopdf-sys.cfg 2010/07/13 v1.3 Configuration of (r)epstopdf for TeX Liv
@@ -1695,7 +1700,9 @@ been already used, duplicate ignored
 <to be read again> 
                    \relax 
 l.9 \newpage
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+             [1
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@@ -1712,7 +1719,9 @@ LaTeX Font Info:    Font shape `T1/ntxtlf/m/n' will be
 (Font)              scaled to size 14.4pt on input line 4.
 LaTeX Font Info:    Font shape `T1/ntxtlf/b/n' will be
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-) [2] (./tex/uvod.tex) [3] (./tex/teoreticni.tex
+) [2] (./tex/uvod.tex) [3
+
+] (./tex/teoreticni.tex
 
 Package hyperref Warning: Composite letter `\textasciicaron+c'
 (hyperref)                not defined in PD1 encoding,
@@ -1720,7 +1729,9 @@ Package hyperref Warning: Composite letter `\textasciicaron+c'
 
 LaTeX Font Info:    Font shape `T1/ntxtlf/b/it' will be
 (Font)              scaled to size 14.4pt on input line 4.
-[4]
+[4
+
+]
 LaTeX Font Info:    Trying to load font information for TS1+ntxtlf on input lin
 e 25.
  (/usr/share/texlive/texmf-dist/tex/latex/newtx/ts1ntxtlf.fd
@@ -1728,14 +1739,16 @@ File: ts1ntxtlf.fd 2015/01/18 v1.0 fd file for TS1/ntxtlf
 )
 LaTeX Font Info:    Font shape `TS1/ntxtlf/m/n' will be
 (Font)              scaled to size 12.0pt on input line 25.
-)
-(./tex/prakticni.tex
+ [5])
+(./tex/prakticni.tex [6]
 
 Package hyperref Warning: Composite letter `\textasciicaron+c'
 (hyperref)                not defined in PD1 encoding,
 (hyperref)                removing `\textasciicaron' on input line 1.
 
-) (./tex/viri.tex [5]
+) (./tex/viri.tex [7
+
+]
 LaTeX Font Info:    Trying to load font information for T1+ntxtt on input line 
 4.
  (/usr/share/texlive/texmf-dist/tex/latex/newtx/t1ntxtt.fd
@@ -1762,7 +1775,9 @@ you forgot something else, as in `\hbox{$x}'. In such cases
 the way to recover is to insert both the forgotten and the
 deleted material, e.g., by typing `I$}'.
 
-) (./tex/zakljucek.tex
+[8
+
+]) (./tex/zakljucek.tex [9]
 
 Package hyperref Warning: Composite letter `\textasciicaron+c'
 (hyperref)                not defined in PD1 encoding,
@@ -1782,7 +1797,9 @@ Overfull \hbox (20.72137pt too wide) in paragraph at lines 2--7
  / github . com / sijanec / sola-[]gimb-[]2 / raw / master / oiv / osnutek /
  []
 
-[6]) [7]
+) [10
+
+]
 Package atveryend Info: Empty hook `BeforeClearDocument' on input line 19.
 Package atveryend Info: Empty hook `AfterLastShipout' on input line 19.
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@@ -1797,23 +1814,23 @@ LaTeX Font Warning: Size substitutions with differences
 
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+Output written on dokument.pdf (11 pages, 138332 bytes).
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diff --git a/oiv/osnutek/dokument.pdf b/oiv/osnutek/dokument.pdf
index 2fc06ea..b306262 100644
--- a/oiv/osnutek/dokument.pdf
+++ b/oiv/osnutek/dokument.pdf
diff --git a/oiv/osnutek/dokument.synctex.gz b/oiv/osnutek/dokument.synctex.gz
index af41007..305c7b4 100644
--- a/oiv/osnutek/dokument.synctex.gz
+++ b/oiv/osnutek/dokument.synctex.gz
diff --git a/oiv/osnutek/dokument.toc b/oiv/osnutek/dokument.toc
index 2b558e3..66523d5 100644
--- a/oiv/osnutek/dokument.toc
+++ b/oiv/osnutek/dokument.toc
@@ -3,16 +3,16 @@
 \contentsline {subsection}{\numberline {2.1}Pojem \textit {celostna umetnina}}{4}{subsection.2.1}%
 \contentsline {subsubsection}{\numberline {2.1.1}V slikarstvu}{4}{subsubsection.2.1.1}%
 \contentsline {subsubsection}{\numberline {2.1.2}V arhitekturi}{4}{subsubsection.2.1.2}%
-\contentsline {subsubsection}{\numberline {2.1.3}Barok}{4}{subsubsection.2.1.3}%
-\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{4}{subsubsection.2.1.4}%
-\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{4}{subsection.2.2}%
+\contentsline {subsubsection}{\numberline {2.1.3}Barok}{5}{subsubsection.2.1.3}%
+\contentsline {subsubsection}{\numberline {2.1.4}Pojav celostne umetnine po svetu}{5}{subsubsection.2.1.4}%
+\contentsline {subsection}{\numberline {2.2}O slovenski zgradbi parlamenta in o njenem arhitektu}{5}{subsection.2.2}%
 \contentsline {subsubsection}{\numberline {2.2.1}Arhitekt}{5}{subsubsection.2.2.1}%
-\contentsline {paragraph}{Življenje}{5}{section*.4}%
-\contentsline {paragraph}{Dela}{5}{section*.5}%
-\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{5}{subsubsection.2.2.2}%
-\contentsline {paragraph}{Notranjost}{5}{section*.6}%
-\contentsline {paragraph}{Portal}{5}{section*.7}%
-\contentsline {section}{\numberline {3}Praktični del}{6}{section.3}%
-\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{6}{subsection.3.1}%
-\contentsline {section}{\numberline {4}Viri in literatura}{6}{section.4}%
-\contentsline {section}{\numberline {5}Zaključek}{7}{section.5}%
+\contentsline {paragraph}{Življenje}{5}{subsubsection.2.2.1}%
+\contentsline {paragraph}{Dela}{5}{subsubsection.2.2.1}%
+\contentsline {subsubsection}{\numberline {2.2.2}Zgodovina}{6}{subsubsection.2.2.2}%
+\contentsline {paragraph}{Notranjost}{6}{subsubsection.2.2.2}%
+\contentsline {paragraph}{Portal}{6}{subsubsection.2.2.2}%
+\contentsline {section}{\numberline {3}Praktični del}{7}{section.3}%
+\contentsline {subsection}{\numberline {3.1}Ogled državnega zbora}{7}{subsection.3.1}%
+\contentsline {section}{\numberline {4}Viri in literatura}{8}{section.4}%
+\contentsline {section}{\numberline {5}Zaključek}{10}{section.5}%
diff --git a/oiv/osnutek/stderr.log b/oiv/osnutek/stderr.log
index 13d209e..62b96cc 100644
--- a/oiv/osnutek/stderr.log
+++ b/oiv/osnutek/stderr.log
@@ -1 +1 @@
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+<</Type/XRef/Filter/FlateDecode/ID[<7A57378EE649BC3F106C842F23A24144><7A57378EE649BC3F106C842F23A24144>]/Index[ 0 226]/Info 224 0 R/Length 553/Root 223 0 R/Size 226/W[ 1 3 1]>>
diff --git a/oiv/osnutek/stdout.log b/oiv/osnutek/stdout.log
index fc1e6cd..34c9bd7 100644
--- a/oiv/osnutek/stdout.log
+++ b/oiv/osnutek/stdout.log
@@ -436,7 +436,8 @@ Type  H <return>  for immediate help.
                                                   
 l.92 \DeclareRobustCommand
                           {\sustyle}{%
-)) (./dokument.aux) (/usr/share/texlive/texmf-dist/tex/latex/newtx/omlntxmi.fd)
+) (/usr/share/texlive/texmf-dist/tex/latex/titlesec/titlesec.sty))
+(./dokument.aux) (/usr/share/texlive/texmf-dist/tex/latex/newtx/omlntxmi.fd)
 (/usr/share/texlive/texmf-dist/tex/latex/newtx/untxexa.fd)
 (/usr/share/texlive/texmf-dist/tex/latex/newtx/lmsntxsy.fd)
 (/usr/share/texlive/texmf-dist/tex/latex/newtx/lmxntxexx.fd) (./dokument.out)
@@ -446,7 +447,6 @@ l.92 \DeclareRobustCommand
 (/usr/share/texlive/texmf-dist/tex/context/base/mkii/supp-pdf.mkii
 [Loading MPS to PDF converter (version 2006.09.02).]
 ) (/usr/share/texlive/texmf-dist/tex/latex/epstopdf-pkg/epstopdf-base.sty
-(/usr/share/texlive/texmf-dist/tex/latex/grfext/grfext.sty)
 (/usr/share/texlive/texmf-dist/tex/latex/latexconfig/epstopdf-sys.cfg))
 ABD: EveryShipout initializing macros
 
@@ -513,14 +513,14 @@ Package hyperref Warning: Composite letter `\textasciicaron+c'
 (hyperref)                not defined in PD1 encoding,
 (hyperref)                removing `\textasciicaron' on input line 2.
 
-[4] (/usr/share/texlive/texmf-dist/tex/latex/newtx/ts1ntxtlf.fd))
-(./tex/prakticni.tex
+[4] (/usr/share/texlive/texmf-dist/tex/latex/newtx/ts1ntxtlf.fd) [5])
+(./tex/prakticni.tex [6]
 
 Package hyperref Warning: Composite letter `\textasciicaron+c'
 (hyperref)                not defined in PD1 encoding,
 (hyperref)                removing `\textasciicaron' on input line 1.
 
-) (./tex/viri.tex [5] (/usr/share/texlive/texmf-dist/tex/latex/newtx/t1ntxtt.fd
+) (./tex/viri.tex [7] (/usr/share/texlive/texmf-dist/tex/latex/newtx/t1ntxtt.fd
 )
 ! Undefined control sequence.
 l.24 	Vrečko, J. \textitDas
@@ -530,7 +530,7 @@ l.24 	Vrečko, J. \textitDas
 l.24 ... \textitDas Gesamtkunstwerk als Nostalgie}
                                                   . 1989. Filozofski vestnik...
 
-) (./tex/zakljucek.tex
+[8]) (./tex/zakljucek.tex [9]
 
 Package hyperref Warning: Composite letter `\textasciicaron+c'
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-[6]) [7] (./dokument.aux)
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+Output written on dokument.pdf (11 pages, 138332 bytes).
 SyncTeX written on dokument.synctex.gz.
 Transcript written on dokument.log.
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diff --git a/oiv/osnutek/tex/headers.tex b/oiv/osnutek/tex/headers.tex
index b349b7a..9ab7a11 100644
--- a/oiv/osnutek/tex/headers.tex
+++ b/oiv/osnutek/tex/headers.tex
@@ -26,6 +26,7 @@
 \usepackage{nameref}
 \usepackage[T1]{fontenc}
 \usepackage{newtxmath,newtxtext}
+\usepackage{titlesec}
 % \usepackage{multienum} % weird with labels
 \usetikzlibrary{calc} %% not really needed............. idk.
 %\usetikzlibrary{external}
@@ -41,7 +42,6 @@
 \definecolor{codegray}{rgb}{0.5,0.5,0.5}
 \definecolor{codepurple}{rgb}{0.58,0,0.82}
 \definecolor{backcolour}{rgb}{0.95,0.95,0.92}
-
 \lstdefinestyle{mystyle}{
     backgroundcolor=\color{backcolour},   
     commentstyle=\color{codegreen},
@@ -113,3 +113,5 @@
 }
 \lhead{GimB, 2020/21}
 \rfoot{\thepage. stran}
+\newcommand{\sectionbreak}{\clearpage}
+\renewcommand{\baselinestretch}{1.5}
diff --git a/oiv/osnutek/tex/naslovnica.tex b/oiv/osnutek/tex/naslovnica.tex
index c9c5381..f985947 100644
--- a/oiv/osnutek/tex/naslovnica.tex
+++ b/oiv/osnutek/tex/naslovnica.tex
@@ -29,8 +29,7 @@
 
 		\Large
 		Gimnazija Bežigrad\\
-			Ljubljana\\
-			2020/21\\
+			Ljubljana, 2020/21\\
 			\date
 
 	\end{center}
diff --git a/oiv/osnutek/tex/teoreticni.tex b/oiv/osnutek/tex/teoreticni.tex
index cad90b4..e23e779 100644
--- a/oiv/osnutek/tex/teoreticni.tex
+++ b/oiv/osnutek/tex/teoreticni.tex
@@ -4,18 +4,18 @@ V teoretičnem delu se predstavi in opiše državni zbor z uporabo virov, tako d
 \subsection{Pojem \textit{celostna umetnina}}
 V članku Filozofskega vestnika\cite{celostna} je pojem definiran tako:
 \begin{displayquote}
-	Pojem celostne umetnine (nem. Gesamtkunstwerk) in njegove pojavne oblike so tipičen novoveški pojav, ki poskuša znova združiti v eno vse posamezne umetniške zvrsti. Potreba po takšnem (ponovnem) združevanju se sklada z nastankom sodobjega pojma umetnosti /.../
+	Pojem celostne umetnine (nem. Gesamtkunstwerk) in njegove pojavne oblike so tipičen novoveški pojav, ki poskuša znova združiti v eno vse posamezne umetniške zvrsti. Potreba po takšnem (ponovnem) združevanju se sklada z nastankom sodobnega pojma umetnosti /.../
 \end{displayquote}
 \subsubsection{V slikarstvu}
 V slikarstvu se pojem celostne umetnine velikokrat pojavi v baroku, ko govorimo ne le o sliki sami, temveč tudi o njeni postavitvi, osvetlitvi, načinu slikanja, okvirju in okrasih.
 \subsubsection{V arhitekturi}
 Na primeru slovenskega parlamenta lahko izpostavimo več temeljev celostne umetnine. Najprej je tu vhodni marmornati portal, marmornate stene v notranjosti in izklesi kipov. To predstavlja kiparstvo in kamnoseško umetnost. Arhitekturne značilnosti se kažejo kot prvine modernističnih stavb ter postavitve trga in zelenega parka za in okoli državnega zbora kot okolica parlamenta. Slikarstvo se izrazi v obliki fresk in impresionističnih slik v dvoranah.\cite{umetniska}
 \subsubsection{Barok}
-V baroku se sakralna arhitrktura združuje skupaj z sakralnim kiparstvom in glasbo. To se predvsem opazi v opernih hišah, ki so polne okrasja in arhitekturnega blišča.
+V baroku se sakralna arhitektura združuje skupaj z sakralnim kiparstvom in glasbo. To se predvsem opazi v opernih hišah, ki so polne okrasja in arhitekturnega blišča.
 \subsubsection{Pojav celostne umetnine po svetu}
 Celostna umetnina se pojavlja v grških tragedijah, romantičnih romanih evropske predromantike, Wagnerjevih operah in Baudelairovi pesmi Korespondence.\cite{celostna}
 \subsection{O slovenski zgradbi parlamenta in o njenem arhitektu}
-V petdesetih letih dvajsetega stoletja je bila razpisana Prešernova nagrada na natečaj za arhitekurno zasnovo skupščinske stavbe. Na razpis se je prijavilo osemnajst arhitektov, prvega mesta ni dobil nihče.\cite{delo}
+V petdesetih letih dvajsetega stoletja je bila razpisana Prešernova nagrada na natečaj za arhitekturno zasnovo skupščinske stavbe. Na razpis se je prijavilo osemnajst arhitektov, prvega mesta ni dobil nihče.\cite{delo}
 \subsubsection{Arhitekt}
 Poleg Jožeta Plečnika je bila naloga zaupana še Edvardu Ravnikarju, Vinku Glanzu, Nikolaju Bežku in Marku Župančiču.
 \paragraph{Življenje}
diff --git a/oiv/osnutek/tex/uvod.tex b/oiv/osnutek/tex/uvod.tex
index b8b983b..afe3f4f 100644
--- a/oiv/osnutek/tex/uvod.tex
+++ b/oiv/osnutek/tex/uvod.tex
@@ -1,6 +1,6 @@
 \section{Uvod}
 Slovenski parlament, zgradba na Šubičevi ulici 4 v Ljubljani, je srce slovenske politike. Še posebej v politično obarvanih obdobjih se zapostavlja umetniška in arhitekturna plat stavbe, v kateri poslanci zasedajo na sejah, zato ta naloga poizkuša združiti pomembne vrednote in podatke o umetniških posebnostih in se osredotoči na arhitekturne značilnosti in okoliško sestavo mesta, kar sestavlja \textit{celostno umetnino}, ki sestoji iz več umetnostnih vej.
 
-Stavba tedanje skupčinške palače arhitekta Vinka Glanza (1902-1977) letos praznuje 61. obletnico odprtja vrat na dan 19. februarja\cite{60dz}. Kot najvišje predstavniško telo in ena izmed ključnih zgradb med osamosvojitvijo se parlament ponaša tudi z naslovom \say{Izjemen kamnoseški dosežek}. Sestavlja jo namreč več kot štirinajst različnih vrst kamna iz različnih slovenskih pojkrajin, zato ji pogosto pritiče nativ \textit{Galerija slovenskega kamna}. 
+Stavba tedanje skupščinske palače arhitekta Vinka Glanza (1902-1977) letos praznuje 61. obletnico odprtja vrat na dan 19. februarja\cite{60dz}. Kot najvišje predstavniško telo in ena izmed ključnih zgradb med osamosvojitvijo se parlament ponaša tudi z naslovom \say{Izjemen kamnoseški dosežek}. Sestavlja jo namreč več kot štirinajst različnih vrst kamna iz različnih slovenskih pokrajin, zato ji pogosto pritiče naziv \textit{Galerija slovenskega kamna}. 
 
-Modernistične poteze so opazne iz notranjosti in zunanjosti stavbe, za dosego celostne umetnine pa je na pročelju stavbe izklesan portal iz pohorskega granita, na katerem prevlada Putrihova in Kalinova plastika\cite{portal,likovna}. V notranjosti stavb je najbolj poznana umetniška figura freskantski cikel Slavka Pengova, natančneje se freska pojavlja v veliki dvorani, ki prikazuje zgodovino Slovencev od naslitve do obdobja prenove\cite{60dz}.
+Modernistične poteze so opazne iz notranjosti in zunanjosti stavbe, za dosego celostne umetnine pa je na pročelju stavbe izklesan portal iz pohorskega granita, na katerem prevlada Putrihova in Kalinova plastika\cite{portal,likovna}. V notranjosti stavb je najbolj poznana umetniška figura freskatnski cikel Slavka Pengova, natančneje se freska pojavlja v veliki dvorani, ki prikazuje zgodovino Slovencev od naselitve do obdobja prenove\cite{60dz}.
diff --git a/oiv/osnutek/tex/viri.tex b/oiv/osnutek/tex/viri.tex
index ca4368c..14c4287 100644
--- a/oiv/osnutek/tex/viri.tex
+++ b/oiv/osnutek/tex/viri.tex
@@ -13,7 +13,7 @@
 	\bibitem{trg}
 	\textit{Trg republike}. Visit Ljubljana. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{trg}
 	\bibitem{umetniska}
-	\textit{Umetniška zbirka}. Portal DZ. [citirano 16. okrobra 2020]. [Internet]. Dostopno na naslovu \shortlink{umetniska}
+	\textit{Umetniška zbirka}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{umetniska}
 	\bibitem{portal}
 	\textit{Vhodni portal}. Portal DZ. [citirano 16. oktobra 2020]. [Internet]. Dostopno na naslovu \shortlink{portal}
 	\bibitem{wikiglanz}